The Burns is the oldest continuous artists’ cooperative in Canada with a mandate focused solely on providing affordable working studio space to professional artists in Calgary.
We are celebrating this amazing achievement with Still Burning, an exciting multi-media exhibition at PASSAGE, a new contemporary art space in the Dominion Bridge Building in Ramsay (803, 24 Avenue SE, Calgary).
The exhibition features the work of 20 artists, the current members of the Burns, and runs from September 18, 2014 to January 15, 2015.
Opening reception on Thursday, September 18, 4 to 8 pm.
Please come and celebrate with us!
Open Book is a reflection of two things; my love of anything old, the central vertical line that is prevalent in a lot of my work and books. I guess that’s three things.
I grew up with books, my Mom was / is an avid reader and since I can remember books have always been apart of my environment. It is hard to articulate what I find so fascinating about books. The story, the words bound into a container, compartmentalized, a world of it’s own bearing no external influences. Old books with their bumps and bruises, still around after all these years with their story still intact. Never changing. Solid and sure in their identity.
More often than not when I start a new body of work I become prolific. One thing leads to another, momentum builds and I couldn’t stop even if I wanted to.
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The pieces in Open Book are the actual size of a book. The book cover pieces where made from alpha mat mounted on to board. The spine was whetted and fastened over a form and left to dry. After which I applied encasutic and oil. Oh and I added some string to the spine to create the ridges. I carved in the text with a scribe and highlighted it with gold oil paint. You can’t see it in the image to the left but the “book cover” lifts just a bit around the edge to reveal a book page underneath.
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Other pieces in the series take a more stylized approach where I emulate the interior of the book by using book pages and merge them with encasutic, oil and found objects. It is like old books meet old Victorian pealing wallpaper.
My work gets stronger when it relates to like pieces. They feed off each other computationally and keeps the eye interested. I approach each piece as an individual work but like I said earlier; one thing leads to another as I explore a theme and all of a sudden a polyptych is born.
I am currently selling some of this work and donating the proceeds to girls’ education.
I am a reluctant feminist mainly because I don’t think there should be such a thing. I have always considered myself and everyone else as people first. Gender never really enters the equation, at least not for me. The word feminist to me means believing that all people to be people is not a natural state.
I am a product of the 50’s and grew up at the height of the women’s movement. Did I participate, no, not really.
What I did do is make my own way. I became self employed at the age of 26. I owned a design firm for nearly 20 years and employed up to 12 people. When my passion for art could no longer be ignored, I sold my firm to pursue my art full time.
When I realized that I needed a website, well, I learnt how to do that. Now I have a thriving online business where I help other artists create an online presence. My point…
I had choices
With the advent of the internet and coaches like ArtbizCoach.com, there is help for the artist entrepreneur who wants to develop marketing skills and take control of their careers.
Artists now have choices
Since I have the internet and a choice, I have an idea.
Here’s the idea
Since the fundamental component of all my series revolves around women’s issues I would like to see my work help those that need it the most.
I was lucky, I had a college education, I was able to chose. I can not for one minute imagine NOT HAVING A CHOICE!
But there are so many girls (and boys too), but mostly girls, that due to tradition or religion don’t get to chose. They are married off as soon as they hit puberty and are often left having to fend for themselves and their children because of war, strife or circumstance.
As much as I would prefer to live with my ideals; gender inequality exists. It exists in Canada, the USA, throughout the western world and as that fight continues there are still girls, children, in developing nations that may never have the same choices that we have.
I believe in choice.
Since I have a choice, I choose to: SUPPORT EDUCATION FOR GIRLS.