A Special Gallery Exhibition Featuring
Internationally Acclaimed Contemporary Artists,
Kim Henigman Bruce & Naoko Morisawa
March 2 – April 2, 2017
Opening First Thursday, March 2, 2017 6:00-8:30 pm
MATERIAL MEMORIES explores personal and cultural memory, metaphor, and mission, through work created in simple, ancient materials – beeswax (Kim Henigman Bruce) and wood or paper (Naoko Morisawa) – made relevant to a contemporary era. Both artists draw from their personal lives and their respective cultural history – Henigman Bruce is from Calgary, Canada and Morisawa, raised in Yokohama, Japan, currently resides in Seattle, WA.
Both women are highly skilled, independent artists from two distinctively different cultures and backgrounds, who share a common practice of art as a transcendent force for consciousness, social progress, and our common humanity.
Kim Henigman Bruce grew up in Calgary, Alberta, where she currently resides and received her arts education at The Alberta College of Art and Design and The University of Calgary. Her mother’s love of books was an early influence, and they’ve played a critical role as the key unifying object in her sculpture’s narratives. Books became a metaphor for knowledge; a message she’s honed well over many years as a professional artist with numerous international exhibitions.
Her work speaks predominantly to girls and women; often from cultures in which women have no choices other than those pre-determined by the culture’s tradition. “Knowledge is power and knowledge is empowering. There’s choice. When there is no alternative there is no choice.”
Ms. Bruce has elected not to attend the show’s opening in protest of this administration’s still-pending travel ban. The gallery stands with our artist and supports her decision without reservation. Her statement can be found here: http://henigmanbruce.com/finding-my-conviction/
Naoko Morisawa, born in Tokyo, raised in Yokohama, Japan, and now residing in Seattle, received her BA in Design and Ceramics from Tama Art University, Tokyo. Her wood mosaics are contemporary updates of the traditional art of Japanese wood mosaic, yosegi, popular in Japan’s Edo Period (1615-1868). Drawing inspiration from this ancient cultural history, her hand-crafted mosaics – meticulously composed of hand cut wood and/or paper, and stained in brilliant, complimentary hues – reflect the spirit of Edo Japonism; Noh and Kabuki theatre; ukiyo-e; the traditions of Kimono design; and reverence for nature; as well as more personal, whimsical subjects. Morisawa, who also taught art in Tokyo and Yokohama, has created several public, site-specific installations throughout the Puget Sound region, has been featured in numerous juried national and international gallery exhibitions, won dozens of awards and honors, and was selected for The Dublin Biennial Exhibition of Contemporary Art, Dublin, Ireland. Immediately following the opening of “Material Memories”, she leaves for Texas where she’s included in the Women’s Invitational Exhibition 2017, at The Eisemann Center of Performing and Visual Arts in Richardson, TX. (www.naokomorisawa.com)
Meet the Curators, Judy Daley and Supria Karmakar – September 18th, 2:30 p.m.
When is a book not a book? When it’s been transformed into a one-of-a kind work of art! This fascinating artform dates to medieval times and artists of today are reinventing it to create thought-provoking works of book sculpture. This exhibition features over 50 artists from Canada, the US and Europe. Transformation has been generously supported by Dale and Dave Cox.
Helson Gallery, Halton Hills Cultural Centre
9 Church Street, Halton Hills, ON. L7G 2A3
The Helson Gallery is open Weds – Sun: 1 – 5 pm; Thurs 1 – 8:30 pm
For further information please contact: Judy Daley, Helson Gallery Curator 905.877.7915 x 2536
In collaboration with Seager Gray Gallery, the ICA will present This is Not a Book: Chapter 2 in the Focus Gallery.
For the past decade, Seager Gray has taken the lead in presenting art related to books and recently celebrated the 10th anniversary of their now widely acclaimed Art of the Book exhibition, which takes place each May at the Mill Valley gallery. The ICA’s presentation culls from that rich history and continues where the ICA’s 2001 exhibition This is Not A Book left off. The current exhibition is curated by Donna Seager.
The typical anatomy of a printed book is text and/or images on paper, bounded by glue or sewn together. On the interior pages, authors write stories and information about places, memories, facts, and images, and on the exterior, a cover details the title of the book, name of the author, and often offers a teaser summary. In This is Not a Book: Chapter 2, 28 artists expand on the very essence of a book. The ubiquitous objects on the shelves of our homes or libraries have been astonishingly altered into wondrous sculptures. One might still discern the materiality of the pages and the characteristics of the covers. However, they are now transfigured into inventive forms, from intimate, finely carved objects to large-scale installations to glowing cubes. With curiosity, whit, and play, artists in This is Not a Book: Chapter 2 create sculptural objects that question our assumptions about book design, the future of the book, and our relationship to these ordinary, but important and cherished publications.